Gay Judgement

People are often mislead by word judgement. Judgement is the process of forming an opinion or evaluation by discerning and comparing. Many people in the world today judge for no apparent reason. They judge because they do not know what to say about a person. Judgement can be passed when one criticizes people based on their clothes,car , and even their sexuality. Judgment on sexuality is the worst type of judgement the saying â€Å" Do not judge a book by it’s cover† can be definitely applied to sexuality bias.People should not be judged based on their sexuality because homosexual have come a long way since the 1950, freedom,acts as the catalyst to unnecessary suicides every year and unfortunately this judgement. Homosexual rights have came a long way since the 1050’s. Homosexual have been fighting the government since the 1950’s starting with the gay right movement. Until 2004 when everything changed. Massachusett declared that banning same-sex marriage wa s unconstitutional and legalized marriage for same-sex couples.Becoming the first state in the U. S. to do so. Connecticut ,Iowa, Vermont, Maine and New Hampshire all legalized same-sex marriage. Then the California Legislature Approved Gay Marriage,and granted same-sex couples most of the benefits of married couples such as the right to jointly file income tax returns, the right to bring a foreign partner into the United States and right to pass Social Security benefits on to a spouse.So far, more than 30,000 same-sex couples are registered in California as domestic partners. In the beginning the government was unwilling to recognize the rights of homosexual and look at them now they are giving the gays pride and glory while making everyone equal. Freedom was what the world wanted, but not everyone is free. Most homosexual people fight for their freedom because they want to be treated like everyone else.The 14th amendment states in section 1 â€Å"All persons born or naturalized i n the United States and subject to the jurisdiction thereof, are citizens of the United States and of the State wherein they reside. No State shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any State deprive any person of life, liberty, or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws. This states that everyone in the U. S is free. It does not state that gay people cannot be free. Everyone in the United State have their own freedom. Harsh and unfair judgement on homosexuals can lead to suicide. Tyler Clementi, 18, who was studying at Rutgers University, jumped from the George Washington Bridge, after a video of him with another man was posted online. Tyler was a young man who was really talented. People did not have to bully him or post video of him.Tyler was probably a quite guy who did not tell many people about his life. Many people ju st judge without knowing a person and that is not good. People should not judge a person if he/she does not know the person. Judgement may cause people to go insane. â€Å"Everything that irritates us about others can lead us to an understanding of ourselves. † Everyone should refer to with this quote and when they decide to judge a person remember that they are judging themselves.

Sheet Metal Design Site Map

Sheet Metal Design Site Map Preface Using This Product More Information What's New? Getting Started Entering the Workbench Defining the Parameters Creating the First Wall Creating the Side Walls Creating a Cutout Creating Automatic Bends Unfolding the Part Extracting Drawings Basic Tasks Managing the Default Parameters Editing the Parameters Bend Extremities Bend Corner Relief Bend Allowance Creating Walls From an Existing Solid From a Sketch Tangent Walls From an Edge Extruding Isolating Walls Creating Rolled Walls Creating Bends Site Map http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheugsm. htm (1 of 4) [12/7/2001 5:13:18 PM] Bends from Walls Automatic Bends Conical Bends Bends From Line Creating Swept Walls Creating a Flange Creating a Hem Creating a Tear Drop Creating a Swept Flange Redefining Swept Walls Limits Displaying Swept Walls Axes Unfolding Folded/Unfolded View Access Concurrent Access Creating a Cutout Stamping Standard Features Point Stamp Extruded Hole Curve Stamp Surface Stamp Bridge Louver Stiffness Rib Creating User-defined Stamping Features Punch and Matrix Opening and Cutting faces Editing User-Defined Stamps Patterning Site Map ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugsm. htm (2 of 4) [12/7/2001 5:13:18 PM] Rectangular Patterns Circular Patterns User-Defined Patterns Corner Relief Redefining a Corner Relief Creating a Local Corner Relief Creating Corners Creating Chamfers Mapping Elements Saving As DXF Reference Elements Advanced Tasks Integration with Part Design Designing in Context Designing†¦ Modifying†¦ PowerCopies Management Creating PowerCopies Instantiating PowerCopies Saving PowerCopies Looking For Sheet Metal Features Workbench Description Menu Bar Sheet Metal Toolbar Constraints ToolbarReference Elements Toolbar Specification Tree Customizing Site Map http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugsm. htm (3 of 4) [12/7/2001 5:13:18 PM] Glossary Index Site Map http://arbredsy/FmoCXR8/SheEnglish /sheug. doc/src/sheugsm. htm (4 of 4) [12/7/2001 5:13:18 PM] Preface The V5 CATIA – Sheet Metal Design is a new generation product offering an intuitive and flexible user interface. It provides an associative feature-based modeling making it possible to design sheet metal parts in concurrent engineering between the unfolded or folded part representation.V5R7 CATIA – Sheet Metal Design offers the following main functions: Associative and dedicated Sheet Metal feature based modeling Concurrent engineering between the unfolded or folded part representation Access to company defined standards tables Dedicated drawing capability including unfolded view and specific settings. All sheetmetal specifications can be re-used by the CATIA – Knowledge Advisor to capture corporate knowledge and increase the quality of designs. Natively integrated, CATIA – Sheet Metal Design offers the same ease of use and user interface consistency as all CATIA V5 applications.As a sca lable product, CATIA Version 5 Sheet Metal Design can be used in cooperation with other current or future companion products in the next CATIA generation such as CATIA Version 5 Assembly Design and CATIA Version 5 Generative Drafting. The widest application portfolio in the industry is also accessible through interoperability with CATIA Solutions Version 4 to enable support of the full product development process from initial concept to product in operation. Using This Product More Information Preface http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugpr01. htm [12/7/2001 5:13:19 PM] Using This ProductThis guide is intended for the user who needs to become quickly familiar with the CATIA Version 5 Sheet Metal Design product. The user should be familiar with basic Version 5 concepts such as document windows, standard and view toolbars. To get the most out of this guide, we suggest you start reading and performing the step-by-step tutorial â€Å"Getting Started†. The next s ections deal with the handling of more detailed capabilities of the product. Using This Product http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugpr03. htm [12/7/2001 5:13:19 PM] Where to Find More InformationPrior to reading this book, we recommend that you read the Infrastructure User's Guide. The Part Design User's Guide, the Assembly Design User's Guide and the Generative Drafting User's Guide may prove useful. Finally, you can read the Sheet Metal Production User's Guide to find out more about that product and to fully use the interoperability between the two products. Conventions More Information http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugpr04. htm [12/7/2001 5:13:19 PM] What's New? This table identifies what new or improved capabilities have been documented in Version 5 Release 8 of the Sheet Metal Design workbench.Basic Tasks New: Creating chamfers New: Displaying swept wall axes New: Saving as DXF Enhanced: Creating walls from an existing Part Enhanced: Cre ating walls from an edge Enhanced: Extruding Enhanced: Defining bend extremities when manually creating bends from walls or automatically creating them Enhanced: Stamping Enhanced: User interface of user-defined stamping features (punch and die and cut-out and opening faces). Enhanced: Choice of convex/concave edges when creating corners Enhanced: Mapping elements Advanced Tasks Enhanced: Creating PowerCopy Features Enhanced: Instantiating PowerCopy FeaturesWhat's New? http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugwn. htm [12/7/2001 5:13:19 PM] Getting Started Before getting into the detailed instructions for using Version 5 CATIA – Sheet Metal Design, the following tutorial provides a step-by-step scenario demonstrating how to use key functionalities. The main tasks proposed in this section are: Entering the Workbench Defining the Parameters Creating the First Wall Creating the Side Walls Creating a Cutout Creating Automatic Bends Unfolding the Part Extracting Drawi ngs All together, these tasks should take about 15 minutes to complete. Getting Started ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs01. htm [12/7/2001 5:13:19 PM] Entering the Sheet Metal Workbench The Sheet Metal Design functions are available when you are in the Part environment. Several functions are integrated from the Part Design workbench. This task shows how to enter the workbench. Choose the Mechanical Design -> Sheet Metal Design item from the Start menu. The Sheet Metal toolbar is displayed and ready to use. You may add the Sheet Metal Design workbench to your Favorites, using the Tools -> Customize item. For more information, refer to the Infrastructure User's Guide.Entering the Workbench http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs00. htm (1 of 2) [12/7/2001 5:13:20 PM] Defining the Sheet Metal Parameters This task shows you how to configure the sheet metal parameters. 1. Click the Sheet Metal Parameters icon . The Sheet Metal Parameters dialog b ox is displayed. 2. Enter 1mm in the Thickness field. 3. Enter 5mm in the Bend Radius field. 4. Select the Bend Extremities tab. 5. Select Tangent in the Bend Extremities combo list. An alternative is to select the bend type in the graphical combo list. Click OK to validate the parameters and close the dialog box.The Sheet Metal Parameters feature is added in the specification tree. 6. Defining the Parameters http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs02. htm (1 of 2) [12/7/2001 5:13:20 PM] The other two tabs are not used in this scenario. Defining the Parameters http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs02. htm (2 of 2) [12/7/2001 5:13:20 PM] Creating the First Wall This task shows how to create the first wall of the Sheet Metal Part. 1. Click the Sketcher icon then select the xy plane. 2. Select the Profile icon . 3. Sketch the contour as shown below: Click the Exit workbench icon to return to the 3D world.The sketch remains selected. 4. Click the Wall icon . The Wall Definition dialog box opens. 5. Creating the First Wall http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs03. htm (1 of 2) [12/7/2001 5:13:20 PM] By default, the Material Side is set to the top. Click OK. The Wall. 1 feature is added in the specification tree 6. The first wall of the Sheet Metal Part is known as the Reference wall. Creating the First Wall http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs03. htm (2 of 2) [12/7/2001 5:13:20 PM] Creating the Side Walls This task shows you how to add other walls to the Sheet Metal part. Click the Wall on Edge icon .The Wall On Edge Definition dialog box opens. 1. 2. Select the left edge. Enter 50mm in the Value field. The application previews the wall. 3. By default, the material side is such that it ensures a continuity with the reference profile. If needed, invert it using the Reverse side button, or clicking the arrow. 4. Click the Reverse Position button to Invert the sketch profile. Click OK. The wal l is created and the Wall On Edge. 1 feature is displayed in the specification tree: 5. Creating the Side Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs04. htm (1 of 3) [12/7/2001 5:13:21 PM] 6. Select the right edge.Click the Wall on Edge icon again. The Wall On Edge Definition dialog box opens with the parameters previously selected. 7. 8. Invert the sketch profile and click OK to validate. Click the Wall on Edge icon again. 9. Select the front edge. The Wall Definition dialog box opens with the parameters previously selected. 10. Enter 30mm in the Value field and 10mm in the Limit1 and Limit2 fields, then invert the sketch profile. 11. 12. Press OK to validate. Creating the Side Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs04. htm (2 of 3) [12/7/2001 5:13:21 PM] The final part looks like this: Creating the Side Walls ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs04. htm (3 of 3) [12/7/2001 5:13:21 PM] Creating a Cutout In this task, yo u will learn how to: open a sketch on an existing face define a contour in order to create a cutout. Select Wall On Edge. 2 from the geometry area to define the working plane. 1. 2. Click the Sketcher icon . 3. Click the Elongated Hole icon to create the contour. To access the oblong profile, click the black triangle on the Rectangle icon. It displays a secondary toolbar. Click to create the first point and drag the cursor. 4. Click to create the second point. The first semi-axis of the rofile is created. 5. Drag the cursor and click to create the third point. The second semi-axis is created and the oblong profile is displayed. 6. 7. Click the Exit workbench icon to return to the 3D world. Creating a Cutout http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs05. htm (1 of 2) [12/7/2001 5:13:21 PM] 8. Select the Cutout icon . The Pocket Definition dialog box is displayed and a cutout is previewed with default parameters. 9. Set the Type to Up to last option to define the limit o f your cutout. This means that the application will limit the cutout onto the last possible face, that is the opposite wall. 0. Click OK. This is your cutout: Creating a Cutout http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs05. htm (2 of 2) [12/7/2001 5:13:21 PM] Creating the Bends Automatically This task shows how to create the bends automatically. Click the Automatic Bends icon . The bends are created. 1. CATIA displays the bends creation in the specification tree: Automatic Bends. 1 The Sheet Metal part looks like this: Creating Automatic Bends http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs06. htm [12/7/2001 5:13:21 PM] Unfolding the Sheet Metal Part This task shows how to unfold the part. 1.Click the Unfold icon . The part is unfolded according to the reference wall plane, as shown below. Note that the bend limits are displayed in the unfolded view. To refold the part, click the Unfold icon again. Unfolding the Part http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs07. htm [12/7/2001 5:13:21 PM] Extracting Drawings from the Sheet Metal Part This task shows how to create the Sheet Metal Part views in the Generative Drafting workbench. The Sheet Metal part is displayed. 1. Click or select File -; New†¦ 2. Select the Drawing type and click OK. The Generative Drafting workbench is launched.The New Drawing dialog box opens. 3. Click OK. For more information about this workbench, refer to Generative Drafting User's Guide. 4. The drawing sheet appears. 5. Tile the windows horizontally using the Window -> Tile Horizontally menu item. 6. Select the Unfolded View icon in the Projections toolbar from Generative Drafting Workbench. This icon is added to the Projections toolbar provided the Sheet Metal workbench is present. Choose the xy plane in the Sheet Metal specification tree. The unfolded view is displayed with the bends axes and limits. 7. Eventually, the Drafting sheet looks like this:Extracting Drawings http://arbredsy/FmoCXR8/ SheEnglish/sheug. doc/src/sheuggs08. htm (1 of 2) [12/7/2001 5:13:22 PM] Extracting Drawings http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheuggs08. htm (2 of 2) [12/7/2001 5:13:22 PM] Basic Tasks The Basic Tasks section explains how to create and modify various kinds of features. Managing the Default Parameters Creating Walls Extruding Isolating Walls Creating Rolled Walls Creating Bends Creating Swept Walls Unfolding Creating a Cutout Stamping Patterning Corner Relief Creating Corners Creating Chamfers Mapping Elements Saving As DXF Reference Elements Basic Tasks ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0000. htm [12/7/2001 5:13:22 PM] Managing the Default Parameters This section explains and illustrates how to use or modify various kinds of features. The table below lists the information you will find. Using Sheet Metal Design assumes that you are in a CATPart document. Edit the parameters: select the Parameters tab et the wall thickness and bend radius values . Modify the bend extremities : select the Bend Extremities tab and choose a predefined bend type. Define the bend corner relief: select the Bend Corner Relief tab and choose a predefined corner relief type.Define the bend allowance: select the Bend Allowance tab and define the allowance value (K factor). Managing the Default Parameters http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0100. htm [12/7/2001 5:13:22 PM] Editing the Sheet and Tool Parameters This section explains how to change the different sheet metal parameters. Click the Sheet Metal Parameters icon . 1. The Sheet Metal Parameters dialog box is displayed. 2. Change the Thickness if needed. 3. Change the Bend Radius if needed. Convention dictates that the inner angle between the two walls is used to define the bend. It can vary from 0 ° to 180 ° exclusive.This angle is constant and the bend axis is rectilinear. Press the Sheet Standards Files†¦ button to access to the company defined standards, if need be. For more information, refer to the Customizing section. 4. 5. Click OK to validate the Sheet Metal Parameters. When the Check all bend radius button is checked, and you click OK in the Sheet Metal Parameters dialog box, a list is displayed with all the bends the part that do not use the standard Bend Radius value as defined in step 3. Editing the Parameters http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0101. htm [12/7/2001 5:13:22 PM] Modifying the Bend ExtremitiesThis section explains how to change the bend extremities. Click the Sheet Metal Parameters icon . The Sheet Metal Parameters dialog box is displayed. 1. The second tab concerns the bend extremities. A combo box displays the six possible axial relimitations for the straight bend: These options can also be accessed through the pop-up button: Bend Extremities http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0103. htm (1 of 2) [12/7/2001 5:13:22 PM] Maximum: the bend is calculated between the furthest o pposite edges of the supporting walls. Bend Extremities http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0103. tm (2 of 2) [12/7/2001 5:13:22 PM] Minimum with no relief: the bend corresponds to the common area of the supporting walls along the bend axis. Square relief: a square relief is added to the bend extremity. The L1 and L2 parameters can be modified if need be. Round relief: a round relief is added to the bend extremity. The L1 and L2 parameters can be modified if need be. Linear: the unfolded bend is split by two planes going through the corresponding limit points (obtained by projection of the bend axis onto the edges of the supporting walls). >Tangent: the edges of the bend are tangent to the edges of the supporting walls.Bend Corner Relief This section explains how to change the bend corner relief. Open the CornerRelief01. CAPTPart model from the samples directory. Within the Tools -> Options -> General -> Parameters -> Knowledge tab, check the Load Extended Langu age Libraries option. See Customizing Knowledgeware Applications. Click the Sheet Metal Parameters icon . 1. The Sheet Metal Parameters dialog box is displayed. The third tab concerns the bend corner relief. By default, no corner relief is created when a bend is created. Check the Automatic corner relief creation option to activate this creation every time a bend is created.Three corner relief types are available. Select the icon corresponding to the requested type: : square: the square corner relief is created using the bend limits. Its dimensions are defined by the width of the unfolded bends. : circular: its center is located at the intersection of the bend axes. For that option, a radius is proposed by default. It is equal to the bend radius + the thickness. To change it: Selecting Formula -> Deactivate from the contextual menu of the input field and enter a new value, clicking on the button and entering a new formula. Bend Corner Relief http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheugbt0104. htm (1 of 3) [12/7/2001 5:13:23 PM] : triangular: the triangular relief is created from the intersection point of the inner bend limits towards the intersection points of the outer bend limits with each wall. The corner relief is not previewed during its creation. The corner relief is taken into account in the unfolded view. For better result, you should select the Maximum Bend Extremities option when creating corner relief. These parameters are applied to each corner relief created or to be created, except to those with that have been redefined, or the locally defined corner relieves.Bend Corner Relief http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0104. htm (2 of 3) [12/7/2001 5:13:23 PM] Defining the Bend Allowance This section explains the calculations related to folding/unfolding operations. Click the Parameters icon . 1. The Sheet Metal Parameters dialog box is displayed. The fourth tab concerns the bend allowance. When a bend is unfolded, the sh eet metal deformation is represented by the bend allowance V, defined by the formula: L = A + B + V where: L is the total unfolded length A and B the dimensioning lengths as defined on the figures below: bend < 90 ° bend > 90 °Bend Allowance http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0102. htm (1 of 3) [12/7/2001 5:13:23 PM] Another way to compute the sheet metal deformation is the neutral fiber definition (K Factor): W = a * (R + k * T) where: W is the flat bend width R the inner bend radius T the sheet metal thickness a the inner bend angle in radians. If b is the opening bend angle in degrees: a = p * (180 – b) / 180 Physically, the neutral fiber represents the limit between the material compressed area inside the bend and the extended area outside the bend. Ideally, it is represented by an arc located inside the thickness and entered on the bend axis. Therefore the K Factor always has a value between 0 and 0. 5. When you define the sheet metal parameters , a literal feature defines the default K Factor, according to the DIN standard: K = (0. 65 + log(R / T) / 2) / 2 This formula can be deactivated or modified using Knowledge Advisor workbench. When a bend is created, the bend K Factor and the bend allowance literals are created. Two cases may then occur: If the Sheet Metal K Factor has an activated formula and uses the default bend radius as input parameter, the same formula is activated on the bend K Factor with the bend radius as input.Else the bend K Factor is a formula equal to the Sheet Metal K Factor. The bend allowance literal is equal to a formula representing the use of the bend K Factor. This formula is fairly complex and it is strongly recommended not to delete it. V = a * (R + k * T) – 2 * (R + T) * tan ( min(p/2,a) / 2) Though it is possible to deactivate the formula to enter a fixed value. Finally, the bend flat width is computed from the bend allowance value. The bend allowance can be locally redefined when cre ating bends from walls, generating bends automatically, Bend Allowance http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0102. tm (2 of 3) [12/7/2001 5:13:23 PM] Creating Walls This section explains and illustrates different methods to create walls. Create walls from an existing Part: click the icon, and select a face of a wall Create a wall from a sketch: use the sketcher to define the profile, and set the material side. Create a wall tangent to another one: select a profile coincident with an existing wall, and select the wall to which it should be tangent Create a wall from an edge: select a wall edge, set the height, limits, angle, then the sketch and material sides Creating walls http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheugbt0800. htm [12/7/2001 5:13:23 PM] Creating Walls From an Existing Part This task illustrates how to create a Sheet Metal part using an existing Part, that is recognizing the thin part shapes of the Part as created using the Part Design workb ench or from a CATIA Version 4 Solid for example. Open the WallScenario1. CATPart document from the samples directory. The document contains a Part created in the Part Design workbench and it looks like this: 1. Click the Walls Recognition icon 2. Click any face to be the reference wall. The Walls Recognition Definition dialog box is displayed. 3.Choose the Wall creation mode: Part body recognition: the whole solid is processed and walls are created wherever possible Only selected faces: only explicitly selected faces of the solid are processed and the corresponding walls are created. The Reference wall is indicated in the Walls Recognition Definition dialog box for information only (it is grayed out). From an Existing Solid http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0201. htm (1 of 3) [12/7/2001 5:13:23 PM] Select faces as the Compulsory walls. These are faces from which the walls are to be generated when there might be an ambiguity.For example, if the initial part is a box, you will need to select two opposite inner faces and outer faces on the other two sides of the box, in order to avoid overlapping when generating the walls. 4. 5. Set the Internal profiles recognition mode: As cut out wall: generates walls with inner contours (no cutout feature is generated) One cut out by wall: regardless of how many pockets there are on a face of the solid, only one cutout feature is generated per wall One cut out by profile: for each inner contour on the sketch-based solid, a cutout feature is generated None: whether there are pockets on the solid aces, or not, no cutout feature is created in the resulting SheetMetal features. The Generate Bends check button allows the automatic creation of bends as the walls are being created, wherever applicable. 6. Click Apply. The walls are generated from the Part Design geometry. The Walls Recognition. 1 feature is added to the tree view. At the same time, the Sheet Metal parameters are created, deduced from the Part geometry. Select the icon to display the sheet metal parameters: 7. the Thickness is equal to 1mm the Bend radius is twice the thickness value the Bend Extremities field is set to Square relief.From an Existing Solid http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0201. htm (2 of 3) [12/7/2001 5:13:23 PM] You can modify a few of these parameters The Thickness parameter cannot be modified because it is based, like the bend extremities and radius, on the initial solid geometry . However you can modify these parameters (bend radius and bend extremities) to be taken into account for sheet metal features other than the â€Å"recognized† ones. The bend allowance, being used to unfold the part, and the corner relief affect all features, and therefore can be edited even for â€Å"recognized† features. . Click OK in the Sheet Metal Parameters when all parameters have been redefined where needed. The solid is now a Sheet Metal part. All the features are displayed in th e specification tree. Once the solid has been converted to a Sheet Metal part, you can create bends as with any other Sheet Metal part, or modify/add Sheet Metal features to complete the design. Uncheck the Generate Bends button, if you do not wish bends to be created automatically. From an Existing Solid http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0201. htm (3 of 3) [12/7/2001 5:13:23 PM] Creating Walls from a SketchThis task shows how to create a wall from a sketch. You must be in the Sheet Metal Workbench, with a . CATPart document open, and you must have defined the Sheet Metal parameters. Set the sketcher grid to H = 100mm and V = 100mm, using the Tools -> Options, Mechanical Design -> Sketcher, Sketcher tab. 1. Click the Sketcher icon then select the xy plane. 2. Select the Profile icon . 3. Sketch the contour as shown below: 4. Click the Exit workbench icon to return to the 3D world. Click the Wall icon . The Wall Definition dialog box opens. 5. By default, the M aterial Side is set to the top.From a Sketch http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0801. htm (1 of 3) [12/7/2001 5:13:24 PM] Click OK. The Wall. 1 feature is added in the specification tree. 6. The first wall of the Sheet Metal Part is known as the Reference wall. Click the sketcher icon from the Wall Definition dialog box, if you wish to directly edit the selected sketch. When exiting the sketcher, you then go back to the wall creation step, without having to reactivate the Wall icon. This is also very useful if you have selected an edge from a wall and clicked the Wall icon . In this case, the sketcher is utomatically activated and the plane defined as being the selected edge's plane. You can then directly draw a sketch, then exit the sketcher and return to the wall creation step. From a Sketch http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0801. htm (2 of 3) [12/7/2001 5:13:24 PM] You can directly create a wall with a hole, by selecting a sketch with an inner contour (the contours must not intersect): Sketch with inner contour Resulting wall Note however, that the emptied area is part of the wall and is not a separate cutout that can be edited. From a Sketch ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0801. htm (3 of 3) [12/7/2001 5:13:24 PM] Creating Tangent Walls This task shows how to create a wall tangent to a planar part of another wall or of a flange. This capability will then allow this tangent wall to be seen when unfolding the part, even though there is no bend linking it to its tangent support, provided this support is unfoldable too. Open the TangentWall1. CATPart document from the samples directory. Select a face of an existing wall and click the Sketcher icon . Here we selected the flange's planar face. 1. 2.Select the Profile icon and sketch the contour as shown below: Using the Constraint Defined in Dialog box icon, set coincidence constraints between the edges where the support and sketch are to coinc ide. 3. 4. Click the Exit workbench icon to return to the 3D world. Make sure the sketch is still active, then click the Wall icon . 5. The Wall Definition dialog box opens. Tangent Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0803. htm (1 of 3) [12/7/2001 5:13:24 PM] Note the orientation of the wall to be created. Click inside the Tangent to field, then select the wall to hich the new wall has to be tangent. 6. Here, you need to select the planar face of the flange. Note that the orientation automatically changes to conform to the material orientation already defined on the support wall. Click OK. The wall is created and a Wall. xxx feature is added in the specification tree. 7. Tangent Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0803. htm (2 of 3) [12/7/2001 5:13:24 PM] If you want to create the wall on a wall that cannot be unfolded, the system issues a warning and prevents you from creating the tangent wall. Tangent Walls ttp://arbredsy/FmoCX R8/SheEnglish/sheug. doc/src/sheugbt0803. htm (3 of 3) [12/7/2001 5:13:24 PM] Click the Unfold icon . The tangent wall is unfolded as a wall linked by a bend to another wall, would be. 8. Creating Walls From An Edge This task shows how to create walls from edges of an existing wall. This function is used to create a box in an easy and quick way from an existing reference wall. At least one wall must already exist. Open the Wall1. CATPart document from the samples directory. Click the Wall on Edge icon and select an edge of an existing wall. 1. The Wall On EdgeDefinition dialog box is displayed together with a preview of the wall. Define the type of wall to be created by specifying the Reference, that is: 2. the Height of the wall: that is the orthogonal projection from the top of the wall on edge to the reference wall. Select the icon to define the height of the wall from the bottom of the reference wall or the icon to define the height of the wall from the top of the reference wall . the Length of the wall: that is the absolute value of the wall on edge without bend. From an Edge http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0802. tm (1 of 6) [12/7/2001 5:13:25 PM] the limits of the wall: LIM1 and LIM2. These texts only indicate on which side a given limit is. They are not precisely on the limit spots. The actual locations of the limits are defined with the icons and an input distance that is taken into account respectively from the inner side of an existing bend, the inner side of an existing wall or the outer side of an existing wall. the angle of the wall: by default it is perpendicular to the plane containing the edge. You may modify it according to your needs. it is updated dynamically on the screen. This preview gives information about: he Sketch Profile: by default, if you pick an edge on the top of the reference wall, the direction of the wall is upwards, if you pick an edge on the bottom of the reference wall the direction of the wall is do wnwards. Preview with top edge selected Preview with bottom edge selected You can invert the sketch's position, and therefore the wall's, using the Reverse Position button. Preview with bottom edge selected and sketch profile inverted From an Edge http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0802. htm (2 of 6) [12/7/2001 5:13:25 PM] the material side: by default the aterial side is proposed so as to keep a continuity with the reference profile. However, you can change it by clicking the red arrow or the Reverse Side button. Check the Clearance option to offset the wall on edge from the selected edge. 3. The entered value is the radius of the bend on this edge. Wall on edge with clearance Wall on edge without clearance Note that the reference wall remains unchanged when changing the bend radius value. It is the Wall on Edge's length that is affected. You can also choose to create the wall with or without a bend by checking the With Bend option. 4.If there is no wall from which a limit can be computed, the reference element is the edge of the reference wall. From an Edge http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0802. htm (3 of 6) [12/7/2001 5:13:25 PM] A wall on edge is defined by the selected edge (reference edge). When the reference edge is modified, by adding any feature that shortens the edge (a bend to an adjacent wall on edge or a cutout for example) the wall on edge based on this reference edge is recomputed. To avoid this you may: create the bend manually on the wall modifying the edge used as the reference to create the other wall eorder the creation of walls to postpone the creation of the modifying feature Both limits are computed with the same reference icon. The bend is not previewed, even if the option With Bend is checked. However it will be created. The selected options are modal and will be proposed to create the next wall. Walls on edge being contextual features, if you break the profiles continuity by inverting the material side of a wall, you may have to manually re-specify all features based upon the modified one, even if they are not directly connected to the modified wall, in order to update the part afterwards.This is the case when creating a wall on edge from another wall on edge, for example: From an Edge http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0802. htm (4 of 6) [12/7/2001 5:13:25 PM] If you invert the material side of the reference wall on which the first wall on edge has been created, both walls on edge are relocated (as if you were flipping the geometry): If you invert the material side of the first wall on edge (and not the material side of the reference wall), the second wall on edge is relocated. Indeed, its specification being relative to the first wall on edge, when its input data (i. e. he edge selected on the first wall on edge) is modified, the second wall on edge is rebuilt at a new location. 5. Click OK in the Wall On Edge Definition dialog box. A WallOnEd ge. x element is created in the specification tree. A WallOnEdge. x element can be edited: double-click it in the graphic area or in the specification tree to display its creation dialog box and modify the parameters described above, including the edge from which it is created. However, the sketch of a wall on edge cannot be edited directly. Would you need to edit the sketch of a wall on edge, you have to isolate it first. See Isolating Walls.You can cut or copy and paste a wall on edge. If you cut and paste a wall on edge with children elements, these children elements are lost. This may result in update errors. You cannot undo an Isolate action after having modified the wall. Isolating a wall on edge erases all updating data. From an Edge http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0802. htm (5 of 6) [12/7/2001 5:13:25 PM] Extruding This task explains how to create a wall by extrusion. You must have defined the Sheet Metal parameters. A model is available in the Extru de1. CATPart from the samples directory. 1. Click the Extrusion icon . 2.Select a sketch. The Extrusion Definition dialog box is displayed. Several types of extrusion are available: Dimension : the requested input data are a sketch and a dimension, Up to plane or Up to surface: a plane or a surface are input as limit to the extrusion. These functions are used to create walls that are not rectangular. 3. Edit the Length1 and Length2 to set both extremities, for option Dimension. Extruding http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1100. htm (1 of 4) [12/7/2001 5:13:25 PM] 4. Define the options as needed: Check the option Mirrored extent to extent the material on both sides of the sketch.In that case, only Length1 can be edited. This option is only available if the type is set to Dimension. Extruding http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1100. htm (2 of 4) [12/7/2001 5:13:25 PM] Push Invert Material Side to invert the direction of the creation of the m aterial. 5. Click OK. The walls corresponding to the selected sketch are created according to the specified options, and added to the specification tree. When the extrusion is the first Sheet Metal feature of the Part, the reference wall is the first wall created based on the first segment of the sketch.For option Up to Surface, while the wall end that is limited by the surface has the shape of the surface, its thickness does not fit the surface. It is a â€Å"rectangular† polygon defined by the first edge that comes into contact with the surface. Extruding http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1100. htm (3 of 4) [12/7/2001 5:13:25 PM] Check Symmetrical thickness to create thickness inside and outside the sketch. Such an extrusion can also be performed on a sketch made of lines and arcs of circle, provided there are no tangency discontinuities between the different elements. However, in this ase, the Up to plane or Up to surface capabilities are not availab le, and you cannot isolate such an extrusion. Extrusion walls can be edited and/or isolated. The sketch may not be closed. Extruding http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1100. htm (4 of 4) [12/7/2001 5:13:25 PM] Isolating Walls This task explains how to isolate a wall. This is possible in two cases: 1. after having created walls by extrusion (see Extruding) 2. after having created a wall on edge (see Creating Walls from an Edge). You must have defined the Sheet Metal parameters. A model is available in the Extrude2. CATPart from the samples directory.Isolating Extruded Walls Right-click the Extrusion. 1 feature and choose the Extrusion. 1 object -; Isolate contextual menu item. 1. The Extrusion Isolate dialog box is displayed. Select one of the wall of the extrusion to be isolated. 2. The selected wall is highlighted in the geometry. This wall is the reference wall, meaning that it can be modified and the other walls will take the modification into account. On th e other hand if the other walls are modified the reference wall is an anchoring wall, and modifications will be made around it. The Extrusion Isolate dialog box is updated. 3. Click OK in the dialog box.The walls of the extrusion have been isolated, each with its own sketch. Yet coincidence constraints are automatically generated between the isolated walls. Isolating Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1701. htm (1 of 4) [12/7/2001 5:13:25 PM] The extrusion's initial sketch is retained (Sketch. 1 in the example above). Double-click the sketch of the reference wall (here Sketch. 3) and modify it by increasing its length. 4. Exit the Sketcher using the Exit icon . 5. The Part is updated. You can note that the wall that was adjacent to the pad, now lies on it, as it is the reference wall that was modified.Isolating Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1701. htm (2 of 4) [12/7/2001 5:13:25 PM] However, had you modified the sketch of t he wall lying on the pad (Sketch. 4), moving it further away from Wall. 2 as shown here to the right, the updated pad would not take the gap between the walls into account. The resulting part looks like this (Wall. 3 has been modified but still coincides with Wall. 2): Isolating Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1701. htm (3 of 4) [12/7/2001 5:13:25 PM] You can then edit its sketch if needed. In the present case, the wall on edge had been created with a end. Therefore when isolating this wall from the reference wall, the bend is created as a separate feature that can be edited as well. The angle value between the two walls is displayed for edition. You cannot undo an Isolate action after having modified the wall. Isolating a wall on edge erases all updating data. Isolating Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1701. htm (4 of 4) [12/7/2001 5:13:25 PM] Isolating Walls on Edge Right-click the wall on edge and choose the Wall On Edg e contextual menu item. 1. The wall on edge is then changed to a standard wall, as you can see from the specification tree.Creating Rolled Walls This task shows how to create rolled walls (such as pipes, open pipes with flange, etc. ). You must have defined the Sheet Metal parameters, and have a sketch available, in the form of an circular arc. The part is available in the Rolledwall1. CATPart from the samples directory. 1. Click the Extrusion icon . 2. Select the circular sketch. 3. Make sure the type is set to Dimension. Length 1 and Length 2 indicate the location of Limit 1 and Limit 2. 4. 5. Define the options as needed (the length being down to -50 mm): Creating Rolled Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheugbt1000. htm (1 of 3) [12/7/2001 5:13:26 PM] Check the option Mirrored extent to extend the material on both sides of the sketch. In that case, only Length1 can be edited. Check Symmetrical thickness to create thickness inside and outside the sketch. Push Invert Material Side to invert the direction of the creation of the material. Click OK in the dialog box to create the rolled wall: 6. Creating Rolled Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1000. htm (2 of 3) [12/7/2001 5:13:26 PM] The rolled wall is a particular extrusion: he input sketch is either a circular arc or a closed circle, the creation type is always Dimension. The sketch may be open. In that case, you can define where the opening should be. The sketch may be closed. In that case, you have no control on the opening location. The only operations you can combine with a rolled wall in a Sheet Metal model are flanges and cutouts. No other elements (standard wall, bend,†¦ ) are allowed. Creating Rolled Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1000. htm (3 of 3) [12/7/2001 5:13:26 PM] Creating Bends on WallsThis section explains and illustrates different methods to create bends on walls. Bends can only be created between walls , whether manually or automatically, and not between any other Sheet Metal features, such as stamps for example. Create bends from wall: select the two walls, set the bend radius value, the bend extremities, and specify the use of corner relief Generate bends automatically: select the part, then a reference wall Create conical bends: select the part, and choose a reference wall Create flat bends: select a sketch, set the creation mode and limiting option, set the radius and angle in relation to the selected sketch.Creating Bends http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0210. htm [12/7/2001 5:13:26 PM] Manually Creating Bends from Walls This task explains two ways to create bends between walls in the Sheet Metal part. These bends can be created on non-connex walls, and with a constant radius value. Open the BendExtremities01. CATPart document from the samples directory. 1. Select the Bend icon . The Bend Definition dialog box opens. Note that the Radius field is in gr ay because it is driven by a formula: at that time, you cannot modify the value. Select Wall. 2 and Wall. 5 in the specification tree.The Bend Definition dialog box is updated. 2. Right-click the Radius field: the contextual menu appears. 3. Deactivate the formula: you can now change the value. 4. Enter 4mm for the Radius and click Preview. 5. The bend is previewed, along with its orientation symbolized by arrows. The Left and Right texts further indicate this orientation and are useful to define different bend extremities. Manually Creating Bends from Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0202. htm (1 of 4) [12/7/2001 5:13:27 PM] 6. Click the More button to display further options: You can define: he left and right extremity settings (see also extremities definition settings) the corner relief definition settings and the bend allowance settings. Within the Left Extremity tab, choose the Mini with round relief bend extremity type, deactivate the L1 and L2 le ngth formulas, and set them to 6mm and 3mm respectively. 7. Click the Right Extremity tab, and choose the Curved shape type. 8. Click Preview to visualize the left and right extremities. 9. Click OK in the Bend Definition dialog box. 10. The Bend is created with the specified extremity types. Manually Creating Bends from Walls ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0202. htm (2 of 4) [12/7/2001 5:13:27 PM] The extremities and the corner relief defined with the current dialog box will apply locally and prevail over any other global definition. Be careful when creating bends with square or round relief. Depending on the geometry configuration, this can lead to removing more matter than you would expect. Indeed, a corner relief being computed on the whole intersection of the elements involved (bends or bend/wall), in the following configuration the matter is removed till the end of the wall.Bend with no relief Bend with square relief In this case, it is best to replace the bend corner relieves with cutouts (identified in red in the figure below) that will act as corner relieves removing matter to the part. Manually Creating Bends from Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0202. htm (3 of 4) [12/7/2001 5:13:27 PM] Generating Bends Automatically This task explains how to automatically generate bends between walls in the Sheet Metal part. You can first create all the bends, then modify the parameters for any of the generated bends.However, when an ambiguity arises, that is when more than two bends end on the same vertex, the bends are not automatically generated. You then need to create them manually, so as to explicitly select the walls between which the bends are to be created. Open the BendExtremities01. CATPart document from the samples directory. 1. Select the Automatic Bends icon . The bends are created. Generating Bends Automatically http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0206. htm (1 of 4) [12/7/200 1 5:13:27 PM] Double-click the bend of interest: Bend. 4 The Bend Definition dialog box opens. 2. Right-click the Radius field: the contextual enu appears. 3. Deactivate the formula: you can now change the value. 4. Enter 4mm for the Radius and click Preview. 5. Bend. 4 is modified. 6. Click the More button to display further options: You can re-define: the left and right extremity settings (see also extremities definition settings) the corner relief definition settings and the bend allowance settings. Generating Bends Automatically http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0206. htm (2 of 4) [12/7/2001 5:13:27 PM] Within the Left Extremity tab, choose the Mini with round relief bend extremity type, deactivate the L1 and L2 length formulas, and set them o 6mm and 3mm respectively. 7. Click the Right Extremity tab, and choose the Curved shape type. 8. 9. Click OK in the Bend Definition dialog box. The bend is modified with the specified options The extremities and the corner relief defined with the current dialog box will apply locally and prevail over any other global definition. Push the more button to display; the extremities definition settings and the corner relief definition settings and the bend allowance settings. Generating Bends Automatically http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0206. htm (3 of 4) [12/7/2001 5:13:27 PM] Creating Conical BendsThis task explains how to generate conical bends between two walls in the Sheet Metal part. These bends are different from the standard bend in that they allow different radius values at each end of the bend. Open the ConicalBend1. CATPart document from the samples directory. Select the Conic Bend icon . The Conic Bend Definition dialog box opens. 1. Select Wall. 1 and Wall. 2 in the specification tree or in the geometry. The Bend Definition dialog box is updated, and arrows are displayed indicating the walls orientation. 2. You can click on the arrow to invert them if needed. Th e LIM1 and LIM2 texts indicate the endpoints for the bend.Enter the radius values for each end of the conical bend. If the difference between the specified radius values does not allow the generation of a cone with an angle greater than 1 degree, a warning is issued prompting you to increase one of the radii. Click OK in the Warning dialog box, and increase/decrease the radius values. 3. Conical Bends http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0204. htm (1 of 3) [12/7/2001 5:13:27 PM] By default, Radius 2 is twice Radius 1. 4. Click More†¦ to display further options. 5. Choose the bend extremities: Mini with no relief: the shortest possible bend is created, and presents no reliefCurve shaped: the bend is created keeping the tangency continuity with the support walls. Maximum: the bend is calculated between the furthest opposite edges of the supporting walls. 6. Click OK. The Bend is created. The two walls must be connected by the edge of their internal faces. The Angle field is locked. It indicates the angle value between the two walls between which the bend is computed. Conical Bends http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0204. htm (2 of 3) [12/7/2001 5:13:27 PM] Should you choose the Curve shaped extremity option, the bend would look like this:Conical Bends http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0204. htm (3 of 3) [12/7/2001 5:13:27 PM] Creating Bends From a Line This task explains how to generate bends based on a line (also called flat bends) in the Sheet Metal part. A wall and a bend are created. Open the FlatBend1. CATPart document from the samples directory. Select the reference wall then the Bend From Flat icon . 1. The Bend From Flat Definition dialog box opens. Select a sketch (Sketch. 3 here). This sketch must necessarily be a line. 2. 3. You can choose the line extrapolation option: he line is extrapolated up to the wall edge (Bend From Flat Until) the line is not extrapolated, and the bend is l imited to the line's length (Bend From Flat Length) Set the bend radius value. You may need to deactivate the formula using the Formula -; Deactivate contextual menu on the Radius field. 4. 5. Set the angle value between the generated wall and the reference wall. 6. Click OK to create the bend. Bends From Line http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0205. htm (1 of 2) [12/7/2001 5:13:28 PM] When creating such a bend on a reference wall (first wall), an arrow indicates which part is to be folded.Click this arrow to invert the side that will be bent. Such bends cannot be created, if the section to be folded already intersects the part. Bends from line should be performed on end walls, or prior to creating further walls on the bent one. Perform the bend before creating the stamping features, as stamps are not retained when the part is folded with the bend. Bends From Line http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0205. htm (2 of 2) [12/7/2001 5:13:28 PM] Creating Swept Walls This section explains and illustrates how to create and use various kinds of swept walls, i. e. alls based on a given contour that is swept along a spine. Create a flange: select a spine, and set the radius, length, and angle values. Create a hem: select a spine, and set the radius, and length values. Create a tear drop: select a spine, and set the radius, and length values. Create a swept flange: select a spine, and a user-defined profile Redefine swept walls limits: choose the Relimited type, and select a point lying on the spine or a plane normal to the spine and intersecting it as limits Display swept walls axes in drafting sheets: open a CATDrawing document, click the Unfolded View icon, and select a planeSelecting the Spine Whatever the type of the swept wall you wish to create, you first need to select one or more contiguous edges to make up the spine along which the contour, either pre- or user-defined, is to be swept. You can: manually select one, or m ore, edge(s) Selection without propagation Resulting flange without propagation select one edge and click the Tangency Propagation button: all contiguous and tangent edges are selected. In this case, would you need to remove one edge, you need to manually select it. Remember that only extremity edges can be removed without breaking the continuity between edges.Creating Swept Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0600. htm (1 of 2) [12/7/2001 5:13:28 PM] Selection with propagation Resulting flange with propagation Creating Swept Walls http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0600. htm (2 of 2) [12/7/2001 5:13:28 PM] Creating a Flange This task explains how to generate a flange from a spine and a profile. Open the SweptWall01. CATPart document from the samples directory. 1. Select the Flange icon . The Flange Definition dialog box opens. 2. Select the edge as shown in red. Creating a Flange http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheug bt0601. htm (1 of 3) [12/7/2001 5:13:28 PM] Enter 2mm in the Radius field, 10mm in the Length field and 120 ° for the Angle. 3. Click the More button to display the Bend Allowance tab allowing you to locally redefine the bend allowance settings. You may need to deactivate the formula using the contextual menu on the field and choosing Formula -; Deactivate before editing the value. 4. In this case, the new K Factor value overrides the value set in the Sheet Metal Parameters. 5. Click OK to create the flange. Creating a Flange http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0601. tm (2 of 3) [12/7/2001 5:13:28 PM] The feature is added to the specification tree. Use the Tangency Propagation button to select all tangentially contiguous edges forming the spine (see Selecting the Spine). You can redefine the flange limits by choosing the Relimited option (see Redefining Swept Walls Limits). Creating a Flange http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0601. htm (3 of 3) [12/7/2001 5:13:28 PM] Creating a Hem This task explains how to generate a hem from a spine and a profile. The SweptWall01. CATPart document is still open from the previous task. If not, open the SweptWall02.CATPart document from the samples directory. Select the Hem icon in the Swept Walls sub-toolbar. 1. The Hem Definition dialog box opens. 2. Select the edges as shown in red. Creating a Hem http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0602. htm (1 of 3) [12/7/2001 5:13:29 PM] Enter 2mm in the Radius field, and 3mm in the Length field. 3. Click the More button to display the Bend Allowance tab allowing you to locally redefine the bend allowance settings. You may need to deactivate the formula using the contextual menu on the field and choosing Formula -; Deactivate before editing the value. 4.In this case, the new K Factor value overrides the value set in the Sheet Metal Parameters. 5. Click OK to create the hem. Creating a Hem http://arbredsy/FmoCXR8/SheEnglish /sheug. doc/src/sheugbt0602. htm (2 of 3) [12/7/2001 5:13:29 PM] The feature is added to the specification tree. Use the Tangency Propagation button to select all tangentially contiguous edges forming the spine (see Selecting the Spine). You can redefine the hem limits by choosing the Relimited option (see Redefining Swept Walls Limits). Creating a Hem http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0602. htm (3 of 3) [12/7/2001 5:13:29 PM] Creating a Tear DropThis task explains how to generate a tear drop from a spine and a profile. The SweptWall01. CATPart document is still open from the previous task. If not, open the SweptWall03. CATPart document from the samples directory. Select the Tear Drop icon in the Swept Walls sub-toolbar. 1. The Tear Drop Definition dialog box opens. 2. Select the edge as shown in red. Creating a Tear Drop http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0603. htm (1 of 3) [12/7/2001 5:13:29 PM] Enter 3mm in the Radius field, and 8mm in the Length field. 3. Click the More button to display the Bend Allowance tab allowing you to ocally redefine the bend allowance settings. You may need to deactivate the formula using the contextual menu on the field and choosing Formula -; Deactivate before editing the value. 4. In this case, the new K Factor value overrides the value set in the Sheet Metal Parameters. 5. Click OK to create the tear drop. Creating a Tear Drop http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0603. htm (2 of 3) [12/7/2001 5:13:29 PM] The feature is added to the specification tree. Use the Tangency Propagation button to select all tangentially contiguous edges forming the spine (see Selecting the Spine).You can redefine the tear drop limits by choosing the Relimited option (see Redefining Swept Walls Limits). Creating a Tear Drop http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0603. htm (3 of 3) [12/7/2001 5:13:29 PM] Creating a Swept Flange This task explains how to generate a swept flange from a spine and a user-defined profile. The SweptWall01. CATPart document is still open from the previous task. If not, open the SweptWall04. CATPart document from the samples directory. 1. Using the Sketcher , define a profile in the yz plane as shown below: Then quit the Sketcher, using the Exit iconSelect the Swept Flange icon in the Swept Walls sub-toolbar. 2. The User Defined Flange Definition dialog box opens. 3. Select the edge and the profile, as shown in red. Creating a Swept Flange http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0604. htm (1 of 3) [12/7/2001 5:13:29 PM] The dialog box looks like this: Click the More button to display the Bend Allowance tab allowing you to locally redefine the bend allowance settings. You may need to deactivate the formula using the contextual menu on the field and choosing Formula -; Deactivate before editing the value. 4.In this case, the new K Factor value overrides the value set in the Sheet Metal Parameters. 5. Click O K to create the swept flange. Creating a Swept Flange http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0604. htm (2 of 3) [12/7/2001 5:13:29 PM] The feature is added in the specification tree. Use the Tangency Propagation button to select all tangentially contiguous edges forming the spine (see Selecting the Spine). You can redefine the tear drop limits by choosing the Relimited option (see Redefining Swept Walls Limits). Creating a Swept Flange http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0604. tm (3 of 3) [12/7/2001 5:13:29 PM] Redefining Swept Wall Limits This task explains how to redefine the spine's limits when creating any type of swept walls, using existing geometric elements: points lying on the spine or intersecting planes.. Open the SweptWall01. CATPart document. 1. Select the Flange icon . The Flange Definition dialog box opens. Using the combo list, choose the Relimited type. 2. The Flange Definition dialog box is updated and now displays two Limit fi elds. Select the spine. Here we select a single edge. See also Selecting the Spine. 3. Redefining Swept Walls Limits http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheugbt0606. htm (1 of 2) [12/7/2001 5:13:30 PM] Successively select the two limiting elements. Here we select a point lying on the spine as the first selecting element, and a plane intersecting the spine as the second limiting element. 4. Make sure intersecting elements are normal to the spine, and they intersect it only once. Specify the swept wall values. In the example of the flange you set the Radius, Length and Angle values. You may also click More >> to display further options. See Creating a Flange. 5. 6. Click OK. The swept wall is created within the limits on the spine. Redefining Swept Walls Limits ttp://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0606. htm (2 of 2) [12/7/2001 5:13:30 PM] Displaying Swept Wall Axes This task explains how to generate an unfolded view of a part with swept wall in a drawin g sheet including the axes of planar hems, tear drops, and flanges are displayed within the drawing. The SweptWall01. CATPart document is still open from the previous task. If not, open the SweptWall05. CATPart document from the samples directory. Make sure that the Generate axis button is checked in the Tools -> Options -> Mechanical Design -> Drafting -> Generation tab, prior to generating a view in a .CATDrawing document. 1. Click or select File -> New†¦ 2. Select the Drawing type and click OK. 3. Click OK. For more information about this workbench, refer to Generative Drafting User's Guide. Displaying Swept Walls Axes http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0605. htm (1 of 2) [12/7/2001 5:13:30 PM] 4. The drawing sheet appears. Tile the windows horizontally using the Window -; Tile Horizontally menu item. 5. Select the Unfolded View icon in the Projections toolbar from Generative Drafting Workbench. 6. This icon is added to the Projections toolbar provided the Sheet Metal workbench is present.Choose the xy plane in the Sheet Metal specification tree. The unfolded view is displayed with the planar swept wall axes. 7. Displaying Swept Walls Axes http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt0605. htm (2 of 2) [12/7/2001 5:13:30 PM] Unfolding Unfolded Sheet Metal parts can be displayed in two ways: Folded/Unfolded View Access Concurrent Access Each Sheet Metal feature is created in a given view: folded, or unfolded. Editing a feature must be done in its definition view. If not, a message is automatically issued, prompting you to change views, before editing the feature. Unfolding http://arbredsy/FmoCXR8/SheEnglish/sheug. oc/src/sheugbt1200. htm [12/7/2001 5:13:30 PM] Folded/Unfolded View Access This task shows how to unfold the part. 1. Click the Unfold icon . The part is unfolded according to the reference wall plane, as shown below. 2. Click this icon again to refold the part for the next task. Bend limits and stamping are n ow displayed in the unfolded view. When designing in context, If a CATProduct document contains several SheetMetal parts, only one part can be visualized in the unfolded view at a time. Folded/Unfolded View Access http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1201. htm [12/7/2001 5:13:30 PM] Concurrent AccessThis task explains how to display the Sheet Metal part in two windows: one with the folded view, one with the unfolded view. Any modification in one window is displayed in the other window. 1. Click the Multi-view icon . The part is unfolded in a second window. 2. Choose the Window -; Tile Horizontally menu item. Both windows are tiled. Activate the window in which you want to work. Concurrent Access http://arbredsy/FmoCXR8/SheEnglish/sheug. doc/src/sheugbt1202. htm (1 of 2) [12/7/2001 5:13:30 PM] Any modification in one view is taken into account in the other view enabling the user to make modifications in the best possible context.In the multi-view mode as in the st andard unfolded view, all constraints are displayed in the geometrical views. Once in the Multi-view mode, the standard icon Unfold is not longer available. The Multi-view function is not available from a standard unfolded view. Only parts with bends can be unfolded. Cutting faces and open faces are not displayed in Multi-view mode. Concurrent Access

Definition Of Hiv And Aids Health And Social Care Essay

I have chosen the subject of HIV/AIDS. In this written assignment, Firstly, I will get down by presenting what are HIV and AIDS and the influence of them. Second, I will bring forth some figure of the universe and besides in Hong Kong. Then, I will utilize the biopsychosocial theoretical account to depict the causes of HIV. Last but non rent, I will discourse the wellness publicity and Motivation Strategies.2. Definition of HIV and AIDS:Definition of HIV The short term of Human Immunodeficiency Virus is called HIV which is a virus and it is reported by Dr. Luc Montagnier in 1983. They can non reproduce and turn by themselves, they have to trust on a life being and infect the cell of them in order to retroflex. Viruss normally are found and killed by the human immune system rapidly, nevertheless, HIV could straight assail the human immune system which would impact our organic structure wellness and can non acquire rid of a virus. Definition of AIDS AIDS – Acquires Immune Deficiency Syndrome which is caused by inflexion of HIV which would destruct the human ability to contend with the diseases and malignant neoplastic diseases. AIDS is non a individual disease and it combine with timeserving infection which would occupy the unrecorded organic structure easy when the immune system is destroyed. Peoples with HIV are non equal to infect AIDS. For the people who inflect HIV can besides stay hibernating in organic structure for several old ages. During the average incubation period, for grownup, it would take ten old ages to develop AIDS on norm. And a batch of people with HIV may be unaware of their inflexion position and look healthy.3. InfluenceFor the people who have infected HIV are they are higher hazard to acquire septic and malignances because the immune system is harm which is called ‘opportunistic infects ‘ . The most common HIV-related timeserving infections and diseases includes the bacterial diseases and protozoal diseases, fungous diseases, Viral diseases and HIV-associated malignances. There are different status would look in different phase of HIV infection. For the first phase patient, they have higher rate to infect TB, bacterial pneumonia, malaria, staphylococcal tegument infections, herpes shingles and blood poisoning and more hard to retrieve. For the ulterior phase of the patient, the immune system is being more and more weak, it is easier for them to infect PCP, cryptococcosis and toxoplasmosis which can be fatal.4. Figure of HIV/AIDSHIV is a planetary epidemic. They affect different state of the universe. It could hold negative effects in households, communities and the whole states. From the above saloon chart, we can happen that the figure of people populating with HIV addition from 8 million in1990 to 34 million in 2010. Besides, in recent old ages, the overall figure of growing of the epidemic has become more stable and the one-year figure of the new inflexion has continuously decreased because of the increasing figure of people has received antiretroviral therapy. Furthermore, AID-related deceases figure has besides lessening. From the above saloon chart, it is clearly to see the bulk people populating with HIV is largely unrecorded in low and in-between income states, particularly Sub-Saharan Africa where has two-thirds of all septic people of the whole universe which carries the greatest load of the epidemic. Besides, South and South-East Asia is the 2nd highest figure of people who are infected HIV. Figure in Hong Kong This research is done by The Virtual AIDS Office ( VAO ) of Hong Kong. In Hong Kong, the first instance of HIV infection was reported in 1984. From the above artworks, we would happen that the figure of instance of people infected HIV maintain on increasing in recent old ages. The figure of instances has a mild bead in 2009 and 2010, nevertheless, the figure of instance in 2011 addition to a record high of 438 instances. Besides, it is clearly to happen the most inflexion were in grownup, male and Chinese. In 2011, there is 79 % of the reported instances were work forces and 66 % of reported instances is Chinese and the 83 % of the reported instances aged between 20-49 which is the highest. This pie chart show the suspected path of HIV transmittal in 2011, we would happen that the big proportion of people acquiring septic HIV is from sexual transmittal which includes 39 % of homosexual, 27 % of heterosexual and 4 % of bisexual. Besides, 3.5 % is infected from blood contact which includes contaminated blood, blood merchandises and acerate leafs.5. CausesBiological Causes Transmission of HIV – Sexual contact During the sexual contact, the seeds or vaginal discharge of the inflected spouse would straight in contact with the mucose membrane of the male and female ‘s generative organ. Therefore, homosexual and homosexual contact can convey HIV, such as vaginal, unwritten or anal sex. And the hazard of HIV transmittal would increase when there is ulcer and blood during the sexual contact. Blood contact HIV would be transmitted by contaminated blood, blood merchandises and acerate leafs because there is the high concentration of HIV in blood of the people inflected. It is common to happen that blood-borne transmittal of HIV frequently occurs when the drug users who infected HIV portion the acerate leafs with others. Besides, we would happen some instances in the wellness attention puting, such as needlestick hurts and the HIV transfuse to the blood or blood merchandise. Mother to infant infection During gestation, bringing or breasting eating, there is 15-40 % alteration that HIV can convey the baby if the female parent is infected. Psychological Causes There are a batch of psychological causes would increase the hazard of HIV. For illustrations, the personal depression, self-destructive ideas, deficiency of slumber would take to an addition of emphasis and may do some psychiatric jobs which would decelerate down our immune systems and we have to put more discoloration on it. Besides, for the people who have infected HIV it would take to high HIV viral tonss. Furthermore, addition of emphasis will do a batch of jobs. When people acquiring more and more nerve-racking, some people may take to travel to the recreational topographic point to loosen up themselves, such as clubbing, saloon and game centre. It is easier for them to run into some bad friend and they may misdirect them to take the drugs or have the sexual relation which would increase the hazard of HIV transmittal, such as blood contact and sexual contact. In add-on, for the people who have infected HIV, eating wont would besides impact the procedure from HIV to AIDS which is base on the diet of the patient. It would be faster if the patient is malnourished. Sociological Causes – For the underdeveloped state In the underdeveloped state, there is a deficiency of antiretroviral interventions and hapless wellness attention system which leads to the rate of people septic HIV remains in a high degree. Peoples in the development states are unawareness of HIV, For the modern society In the modern society, people are more open-minded. A batch of people may take to travel to the nine or saloon to loosen up after work and they may believe there is nil job to hold sex with person and it would take to an addition to the figure of people acquiring sexual contact. -Media The mass media ever play the cardinal function of the whole society and it would impact the head of the citizen. In the modern society, one of the causes that people acquiring more and more open-minded is affect by the media. Although they are non aim to direct whose messages to them, but when they watch the films or a Television programmes that the histrions can easy hold the sexual relation to others or they are taking drugs which would straight impact their head and they may desire to copy. It would increase the hazard of infect HIV through blood contact and sexual contact.6. Health publicity– Information and instructionThe effectual AIDS programme should advance the information and proviso of instruction which is the cardinal requirements. It should cover the all sectors of the society and educate them in a manner that they can easy understand and acceptable. Besides, it should be put attempt continuously to accomplish the result. HIV and AIDS instruction in schools For educating the immature about HIV and AIDS, the most common topographic point is to larn from school which is a important scene to educate the immature. School normally pays an of import function in determining the young person ‘s attitudes, sentiments and behaviour. Therefore, learning in school about the biological facets of HIV and AIDS is ideal environment for learning the societal. HIV and AIDS instruction in the workplace To forestall HIV/AIDS, the cardinal location is to educate them in the workplace. It is an of import manner to give them the information about what are HIV/AIDS, the causes and some bar. Besides, learning them at the workplace can make people who have non larn it before at school. Furthermore, there are some researches found that there are nine out of 10 people who are infected HIV are working. Therefore, supplying instruction at the workplace can assist the people live healthier. For the authorities, they can advance some plans of the International Labour Organization ( ILO ) for some company to fall in. One of the purpose of the International Labour Organization is to advance different prevent solutions at the workplace and back up the workers with HIV, such as supplying intervention and attention. -HIV and AIDS instruction through the mass media Besides the other effectual manner is educating the populace through the mass media. Mass media ever play the cardinal function in a batch of states in respond to HIV and AIDS. For illustration, UK authorities in order to raise the consciousness of the populace about the HIV and AIDS, they use the progamme called ‘blanket instruction ‘ which make good usage of the mass media that can cover the whole society, and it is truly successful in advancing HIV and AIDS.-Clinical and support serviceInformation and instruction is non sufficient to inform to public. The most critical measure is to supply the guidance, advice, medical interventions and support services which should besides cover the whole society, particularly for whole who are high hazard to infect HIV, such as the drugs users, commercial sex workers. These interventions and services are both indispensable to the AIDS programme which can contend against the disease. For illustration, for the bar of sexual Transmission of HIV, there are some sexually transmitted diseases ( STD ) clinics can advance some AIDS information and instruction to be informed to the patients, such as inform the people who have high hazard of infecting HIV should hold a regular trial. Besides, an effectual AIDS programme should develop some wellness professional to supply effectual interventions to the patients.7. Motivation Schemes-For the people who have non inflect HIV To forestall sexual contact Apart from abstention, safe sex should be reciprocally monogamous sexual relationship with an clean individual. If you do non cognize your spouse is affected or non, you should utilize the rubbers from the beginning whatever which types of sexual intercourse. Using rubbers can cut down the hazard of infecting HIV. To protect yourself and to love your sexual spouse, rubbers have to utilize decently and systematically. To forestall blood contact For drug user: There are 4 things that they can make to forestall the blood contact. First, they should avoid taking drugs and every bit shortly as possible to seek the drug intervention and rehabilitation services. Second, if person can non avoid taking drug instantly, the shooting method of taking drugs should be adopted and they should fall in the dolophine hydrochloride intervention programme. Third, if the drug users can non halt to shooting drugs, they should non portion panpipes and acerate leafs to other and they should utilize once-only panpipes and acerate leafs. Last, if the drugs users do non hold their ain syringe and acerate leafs, they should utilize bleach to unclutter the syringe twice and twice with H2O to avoid infection. For wellness attention workers: In the wellness attention puting, wellness attention workers are easier to hold some blood borne diseases such as HIV through needlestick hurt. If the accident occurs, to cut down the hazard of infection, first-aid direction is really of import. Furthermore, the most effectual manner to cut down the hazard of infection is to utilize cosmopolitan safeguards to all patients, such as have oning the protective barriers and rinsing manus often. To forestall female parent to infant infection For the adult females who are sing holding a babe or have been pregnant, if they are suspected to be infected with HIV, they should speak to their physicians or the AIDS counsellor and should hold an HIV antibody trial. Furthermore, to forestall mother-to-child transmittal, there is a manner to utilize antiretroviral drugs which can cut down the hazard of the kid acquiring septic HIV. For the people infected HIV: Have the Medical direction of HIV infection Although from now on, there is no such method to root up the disease, but there is some intervention have been made of AIDS. It includes two types, one is the antiretroviral drugs acceptance which can command the activities of the HIV, aid to reconstruct the unsusceptibility maps and minimise the harmful consequence of the virus. The other 1 is to hold some intervention and prophylaxis to minimise the hazard of timeserving infection. Using the above methods can better the wellness of the septic people and better their measure of life and endurance in people. Therefore, for the people infected, they should hold the regular medical followup for monitoring of the disease, so that the wellness attention professional can follow the instances. It can observe the complications earlier and have appropriate intervention which can better the endurance alteration. Control your emotion When the patients face the unwellness of HIV/AIDS, they must experience fear, uncertainness, guilt, anxiousness, choler and depression. However, it may something decline the state of affairs. Therefore, they should non deny their feeling. Ventilation of feeling may assist them to deciding the emotional job. You may portion your feeling and concern to person you trust. They may besides seek to derive reding support, there will be the societal worker to assist you.8. DecisionTo reason, from the above transitions, we would establish that the figure of people acquiring septic HIV is remind in a high degree. And the causes can divide into the biological, such as the transmittal of HIV, psychological, such as the emphasis and eating wont and sociological causes which depend on the different states and society. Furthermore, there is some wellness publicity which should educate the populace and supply some clinical intervention and services to them. Last, we have discussed the motive schemes which design for the people have non inflected and the patient with HIV. And I believe that with the above methods, the jobs of HIV/AIDS would be improved in foreseeable farther.

Art and fashion Essay Example | Topics and Well Written Essays - 2000 words

Art and fashion - Essay Example Mannequins such as the Siegel-Vigneau had very seductive with undeniably lifelike bodies significantly contributed to the success of social as well as cultural reconstruction. Surrealists perceived women as in an erotic and decadent disguises who were actually predators in life of men due to their passive sex as well as accessibility which prompts men to be attracted to the female bodies. Female bodies were turned into elements amongst the surrealists because a body could also attract attention and communicating information. A body could reveal some of the most hidden meanings behind its restructuring. Most images were therefore belonged to the repertoire of surrealists although some of them lost their origin in favor of sex appeal. Sexual appeal of a woman’s body was crucial since a woman was considered a sexual object whose life is engrossed exclusively with sexuality (Emanuel 2006). Initially, mannequins were so heavy and were more unrealistic creations which were made of w ax and could melt in the summer heat. However the understanding of women psychology led to great imperfections that made mannequins look like real women bodies. It should be noted that surrealism became very prevalent in 1930s particularly to the public where their artwork became the model for international exhibitions. Visual style artwork became dominated the period between 1930 and 1935 by Dali and Magritte. During this period art served a significant purpose as a way of expression that included hallucinatory imagery (Beck 2007). Surrealism came up with visual techniques that incorporated giving ordinary objects their usual meaning so that they could compel to the public. Audience’s empathy would therefore be aroused because of the image characteristics which were more than just ordinary formal organization. 1930s was characterized with stylistic evolution that included a mixture of depictive and the emotional elements which were very necessary in influencing an audience. Mannequins actually reflected fashion models but some of the headless mannequins represented would make someone think that it had been sliced thus representing scene of a brutal war (Stewart 2008). Mannequins were made to fit dress maker’s form thus reverting them to look like shop mannequins. Shop mannequins were however not made to represent any form of personality or lifestyle but simply to show the outline of the garment. This was really amazing because the objects simply drew attention to how they were created rather than the dress they were wearing (Emanuel 2006). Someone would not think much about the garments on the display despite close imitation of the tailor or designer’s dummy. Representation of the mannequin to the clients became very important hence prompting the introduction of heads and limbs to the headless and limbless mannequins. The most appealing mannequins were the ones which were introduced in the 1930s which had movable limbs making them seem as if they were engaging in some activities. Movements of the limbs proved useful in representation of the lifestyle (Thesander 1997). Surrealists greatly incorporated art into life by relating subject and object in their work. The mannequins were greatly designed by artists who made them look like body objects. Mannequins were nicely used to define surrealism since it

Children and Discipline Essay Example | Topics and Well Written Essays - 500 words

Children and Discipline - Essay Example Spanking spoils the child just like extreme pampering does. When a child does something bad that irritates the parent, the last thing that the parent should do is spanking the child because this way the child gets used to spanking and he grows out of the fear. In other words, he stops fearing spanking anymore. Whenever he would do something bad, he would think that all that his parent is going to do is spanking and nothing else, and since that is a routine so there is nothing to worry about. When he is tackled with love, he would stop himself from doing anything that would spark such anger in the parent that could result in hitting. Spanking also tends to stop the child from respecting the parent. A kind of rebellion and hatred starts nurturing inside the child’s heart which is very dangerous when he goes in his teenage. The child stops listening to the parents’ advice seriously because he does not respect them anymore. This makes him shout at his parents and do what they do not want him to do because he has been nurturing this rebellion inside him due to constant spanking. He stops communicating with his parents, which isolates him. This can hinder with the development of his healthy personality. Hence, parents should be told the side-effects of spanking â€Å"through education and legal reform† (â€Å"End Physical Punishment of Children†). Spanking creates inferiority complex in the child which is a frustration that grows inside him when he feels that he is not good enough to satisfy his parents. He feels that he is so bad that his parents always want to hit him. He takes out this frustration by hitting his younger siblings. Spanking teaches him that he should make use of power to make others do what he wants them to do, so he beats and bullies his peers at school. This makes him a violent person when he grows up. To conclude, spanking is a negative reinforcement given to the

Letter on the desire to become a college coach Essay

Letter on the desire to become a college coach - Essay Example I have for this reason been following their games and training sessions and I am informed of their potentials, to be exploited, and their weaknesses that should be managed for success in competitions. Besides my personal interest in the college team and my passion for its success, I have extensive and outstanding skills and qualities that meet the college’s expectation of a football coach. I am a trained coach who meets the national coaching standards for a national league team. My experience as a coach also establishes confidence in my performance potentials. Based on my training, I have the capacity to ensure the student’s physical fitness through offering safe training. This guarantees mitigation of the college’s liabilities that would arise from student’s injuries while on sporting duties, either in trainings or in competitions. I have successfully achieved this as a high school coach, a position in which I served for six years. My experience also includes coaching special team’s ‘runningbacks’, wide receivers, tight ends, and offensive coordination. My personal attributes include a firm belief in positive coaching, and respect and discipline among team members. I am also a hard worker who ensures motivation of my team for effective preparations before each game. Further, I am a self-motivated individual, self reliant, positive, a self-starter, energetic, trustworthy, and a team player. My skills and experience, therefore, identify my qualification as the best candidate for this job. This is because my intrinsic motivational features and my long-term passion for the team have already established a commitment towards a high-leveled leadership and management that will not depend on external environmental factors. My successful coaching experience also guarantees success with the college team. Similarly, my leadership potentials will ensure a good relationship between the team and the school

Winslow Homer and his Eight bells Essay Example | Topics and Well Written Essays - 2000 words

Winslow Homer and his Eight bells - Essay Example The essay "Winslow Homer and his Eight bells" explores Eight bells of Winslow Homer. Some major artists create popular stereotypes that last for decades; others never reach into popular culture at all. Winslow Homer was a painter of the first kind. Even today, 150 years after his birth, one sees his echoes on half the magazine racks of America. Homer was not, of course, the first ‘sporting artist’ in America, but he was the undisputed master of the genre, and he brought to it both intense observation and a sense of identification with the landscape — just at the cultural moment when the religious Wilderness of the nineteenth century, the church of nature, was shifting into the secular Outdoors, the theater of manly enjoyment. If you want to see Thoreau's America turning into Teddy Roosevelt’s, Homer the watercolorist is the man to consult. That’s perhaps the most apt description of the man who have been a sincere chronicler of natural life in fin de sià ¨cle eighteenth century America, almost in a similar way that Thomas Hardy’s Edwardian poems related to that of England. But Homer was also in elements when he drew the sea, especially how humans react and relate to it when the water universe is at its most fierce. Homer’s place in Amercian art is secured though he was largely a self-taught artist who in the beginning of his career worked as a commercial illustrator. â€Å"†¦(Homer) received little instruction from masters or in art schools. He has studied nature faithfully and he has found his way.

Assignment scenario Essay Example | Topics and Well Written Essays - 1500 words - 1

Assignment scenario - Essay Example While the nurse has factual justification for the enforcement of her recommendation, is it possible that her apparent commitment to the health and welfare of the patient cannot be achieved by the disregard of her wishes? DEONTOLOGY One might argue that to care for the body in a way that yields emotional distress is self-defeating; What then, are the rules by which we can standardize the 'goodness' of an action or philosophy? Deontological ethics (deontology) is an obligation-centric ethical theory. Duty and rule-adherence are essential in that ethics, when anchored by rules and obligation connect the person with his or her duties. Deontologists may also follow a belief of moral absolutism, outcomes themselves become irrelevant; only duty, rule-adherence that can give us a basis for final moral arbitration. Combining these views, actions yielding positive outcomes but not resulting from strict adherence to a pre-existing code of conduct cannot be morally justifiable - regardless of ho w good it seems in retrospect. Ergo, if compelling the compression bandages is following a pre-ordained obligatory behavioral code, then the outcome of preventing swelling and sores is irrelevant, as is the outcome of the widow's displeasure. So long as the Nurse acts according to a protocol. The case of Ruth Symonds as pertaining to the implementation of Modern Medical Ethics. TELEOLOGY By contrast, Teleological beliefs and philosophies are outcome-based, or outcome justified. This principle can extend not only to philosophies as they inform decision making, but the natural sciences as well. Hanke, (2004) A tiger has stripes because stripes are needed for a tiger to live and hunt in the way that tigers live and hunt; therefore striped tigers are inevitable. But this does not inform the investigator as to the ultimate origins of behaviors or adaptations, and thus would not permit future investigators to extrapolate that observation into further predictions. It would then become nece ssary to devise an explanation whereby the root causes of the tigers' need for stripes and the consequences thereof are elucidated in terms of differential survival outcomes; before said stripes ever appeared. In the writings of Aristotle, the premise of teleology is expounded upon as a unifying meta-principle that he uses to apply holistic meaning to the forms seen within nature. All that exists must be whole and functional within the purvey of ultimate purpose; a purpose which he held to be human benefit. Schindler, (1986) But subsequent generations of scientific thinkers would be able to demonstrate the incompleteness of that presumption. While it is true that wheat may be very beneficial for human consumption, and that oxen may be advantageous as a source of cheap, brute force for human-guided industry, what of disease? The Smallpox virus is perfectly adapted to infect and proliferate amongst humans, and can only survive inside of a human being; does humankind exist solely for t he benefit of the Smallpox virus? Broader considerations like this must be kept in mind for anyone that adopts a presumptuous, just-so opportunistic teleology. It is difficult to entirely purge this kind of circularity from the field of biology, but attempts are being made by some biologists to remove assumptive references to a 'blind watchmaker', that presupposes final

Brand message placement and print circulation Coursework

Brand message placement and print circulation - Coursework Example The printed press is also losing ground to the internet. People prefer to read their news online than to read them from newspapers and magazine. Due to this tendency advertisers have realized that digital media is the wave of the future. There are different ways in which companies can advertize their products online. Companies can use different online strategies such email advertising, online classified ads, banners, links, and search engine placement among other popular strategies. The cost of advertising online is much cheaper than the traditional media channels. Another advantage of online advertising is that companies can target their audience better. For example a company that sells sporting goods can advertise in specialized sporting websites such as espn.com or yahoo sports. The internet also has the capability to track better the results of an advertising campaign. If a company invests in search engine ads and pays for 10,000 hits, the advertiser will receive the amount of views that it paid

Severity of Sanctions Essay Example | Topics and Well Written Essays - 1500 words

Severity of Sanctions - Essay Example The implications of these two philosophies are quite different. Retribution focuses on the criminal's behaviour and stresses the need to punish him in proportion to the extent of damages caused or loss suffered. Conversely, the utilitarian stance focuses, not on the criminal, but on society as a whole with an aim at reducing crime and thereby ensuring the safety of society. Whilst both of these models are described in their pure theoretical form, in reality most cultures adopt a blended version of both. However, before we begin to fully examine the effectiveness of deterrence, an understanding of it is necessary. There are two types of deterrence: general and specific. Specific deterrence is aimed at eliminating the future criminal activity of the person being incarcerated or punished in order to avoid future punishment for repeating a similar crime whilst general deterrence's goal is reducing crime unilaterally by stopping others from committing like crimes for fear of receiving like punishment (Palmer 2005, p. 25). While it is impossible to argue that capital punishment is not a totally effective means of ensuring specific deterrence, its effectiveness as a deterrent to others is not so definitive. This leads us to the debate of the severity of sentencing and its effects on deterring criminal behaviour. Feinberg views punishment i... Instead of acting as a deterrent to preventing future criminal activity sentencing is merely a punishment and has nothing to do with deterring crime; rather its effectiveness as a specific deterrent only lasts as long as the prison sentence itself. In his explanation of the phenomenon of punishment Feinberg states: Punishment is a conventional device for the expression of attitudes of resentment and indignation, and of judgments of disapproval and reprobation, on the part either of the punishing authority himself or of those 'in whose name' the punishment is inflicted. Punishment, in short, has a symbolic significance largely missing from other kinds of penalties (1994, p. 74). He elaborates in greater detail by stating that greater than disapproval, punishment is, in effect, society's method of 'getting back' at criminals and further showing its "vindictive resentment" (1994, p. 76). From his position it is clear that criminal sentencing is not deterrent in intent; rather it is retributive in nature. Von Hirsh and Ashworth take a similar stance but further elaborate on what they view to be the causal effects of this 'vindictive resentment'. In their theory politicians use the public's fear of crime and criminals to create a heightened state of panic amongst the public. With this increased sense of fear and outrage the brunt of the retributive wrath falls upon those least able to defend themselves. Clearly seeking neither retribution nor deterrence, the political overtones and the media frenzy caused results in a public outcry for justice. As public sentiment grows more fearful and resentful, the severity of punishment rises proportionally. The sentence no longer deals with the specific nature or severity crime itself, but rather focuses

CUSTOMER & CROSS-CULTURAL EXPERIENCES Case Study

CUSTOMER & CROSS-CULTURAL EXPERIENCES - Case Study Example The laser treatment costs may be less as opposed to the physician model indicating that customers or patients have alternatives to choose from depending on their financial capability. The annual cosmetic surgery procedures are possible to be estimated. For example, in 2001 over 8.5million cosmetic surgical cases were undertaken. Moreover, doctors made more than 125,000 skin operations of non-ablative state. The strategy to effectively market the company is to prioritize on all product cycles but more so innovation and design factors in cosmetic surgery operations. Additionally, the company will be forced to consider legal, political and economic performance of the country (Baumann, Elliott & Hamin 2011). They also need to focus on present market size, market share, activities of competitors. Besides, they should assess the influence of substitute products including LED gadgets and reflect on the negotiating potential of current and prospective clients (Jobber 2012). They should also go on to bid the design and manufacture from the Light Sciences Company of Virginia Beach regarding newer forms of gentle waves. In the long run, it will take advantage of economies of scale and improved bargaining ability than actually creating a manufacturing line. With the position of a CEO, I would invest in research and development of surgical skin treatment, improve client service and take advantage of new design to negotiate with suppliers. I will also motivate the existing skilled personnel to cope with increasing numbers of clients and demands of a good enterprise. Problem 2 Part A: The film shows the significance of combining talents to create a business empire through computer technology. Three guys had exceptional talents of computer software, hardware and security. The strategy used in this film evaluation of innovation and design factors which are specific to the information industry. Exceptional skills are needed in development of a prototype to support current comput er (Jobber 2012). From the student perspective, developing and integrated piece will satisfy user expectation in computer technology. Consequently, free enterprise starts from innovation and design procedures to oversee continuous streams of future income (Baumann, Elliott & Hamin 2011). The team will benefit from patents and copyrights laws that safeguard and uphold their growth in design; inspiration and originality so will the few competitors. There are available substitutes, though not expected to pose a huge threat since invention is unique. In addition, buyers will undoubtedly purchase the product because it satisfies their expectations and desires. There are few suppliers in this industry owing to the cost intensive nature of the operations. Competitive are also few though posing a huge threat to the market share. Continuous investment in technology will humble the effect of competitors. Rivalry between competitors is expected to reduce since entry will be constricted (Bauman n, Elliott & Hamin 2011). Part B: The first stage is the forming stage comprising of an individual’s yearning to bring together colleagues with common interest. They then focus on forming a team, assigning roles and convening meetings. This stage has a lot of learning, autonomy and knowledge exchange. Storming stage consists of combinations of